Day 2 was a not too earlier start of 8am to attend the NT breakfast along with fellow patrons and a familiar faces from some of the shows on the suggested list. After a quick catch up with other patrons talking all things fringe and theatre in general, it was time to leave to catch my first show of the day at the Traverse which is about a twenty minute walk from The Balmoral.
The beautiful future is coming

Playing at Venue 15 (Traverse 1 at Traverse Theatre) starting at 10:0 with a running time of 1 hour and 30 minutes. The show follows three duos one from the past of 1856, another from modern times of 2027 and one from the future of 2100. All three couples highlight the different stages and affects of climate change. From the original women scientist struggle to highlight such change is possible. To the current effects of hot summers and heavy storms. To the total different world caused by the dramatic change in the climate. The switching between the three timelines is very easy to follow while at the same time able to highlight similarities between them every though the lives and situations are totally different. It also kept the pace of the shown which meant the 1.5 hours flew past. The overall writing was brilliant. The play is a fully formed no interval production which could easily drop on any West End stage and not be out of place. Not very fringe due to the completeness of the production but very good never the less. Overall 3.5 out of 5 stars.
For more details about Consumed click the image above.
Consumed

Playing at Venue 15 (Traverse 1 at Traverse Theatre) starting at 10:00 with a running time of 1 hour and 20 minutes. As it was in the same theatre space as the last show for once I didn’t have to dart across Edinburgh for the show. Instead I was able to sit in the Traverse theatre/ foyer and grab a drink and start today’s blog. I had not been to Traverse one until yesterday and now three consecutive shows in. I have realised that the productions are full ready to run shows and not your traditional Fringe shows. Consumed was no difference, in fact it was the most fully produced show I have seen at the fringe. This was as a result of a full set and prop display no different to any one set play I have seen on either the West End or Broadway. The production and run time could easily slot into any West End or Broadway stage. The show depicts four generations of females from the same Irish family. Who have convened for the matriarchs 90th birthday. The play deletes deeper and exposures the huge cracks in the family dynamic and relationship which crescendo in a dark conclusion. With some jokes and Irish quips along the way. A great ready to drop onto any stage production and as a result 4 out of 5 stars,
For more details about Consumed click the image above.
Aquapella

Playing at Venue 64 (Auditorium at Gilded Balloon at the museum) starting at 16:15 with a running time of 1 hour. This was not a pre booked show and something I only booked a few hours before as their was a gap in my schedule. There were two reason for this choice, one it is in the same venue and the show before my already booked next show. Also seeing a competitive a cappella group live is something that I have always waited to see, after watching lots over the years online and in movies. I did MiCapella in Singapore many years ago but they are not traditional a cappella. The show did not disappoint, you have to keep reminding yourself that there is no backing track and all the sound is being made by the voices on stage. The talent on display is unbelievable and no wonder Aquapella from bath university is on their 9th consecutive fringe year and toured the UK and performed on Broadway along with regular top 3 finishes at national competitive level. You have to see an Acappella group live to really understand it. Overall 4 out of 5 stars.
I wish my life were like musical

Playing at Venue 64 (Auditorium at Gilded Balloon at the museum) starting at 16:15 with a running time of 1 hour and 10 minutes. This is a comedy musical about being a musical theatre performer and its devoted fan base. It charts the whole life cycle of a musical theatre performer from auditioning as a fresh drama school graduate to becoming that successfully diva. It is very cleverly written and contains so many theatre and especially musical theatre references, that only a real die hard musical theatre fan will understand. As a self confessed musical nerd I am happy to say that I picked up on the majority of them. However not everyone in the audience did and I feel were not able to fully appreciate how clever this show was. The four performers where very talented musical theatre performers. It was great fun and can see why they have been at the fringe since 2019 increasing their capacity. Overall 4.5 out of 5 stars.
Nina Conti: Whose face is it anyway?

Playing at venue 302 (McEwan Hall at Underbelly Bristo Square starting at 19:20 with a running time of 1 hour. This venue has to be one of if not the biggest venue I have been in at the fringe. Nina has been someone I have seen online for years and always found very funny and clever. So was really pleased to see that her fringe show managed to fit into my itinerary. I am so glad I did see Nina. I was literally crying with laughter within the first 10 minutes. The show is self confessed to be not scripted and solely relies on the input from audience interactions. The way Nina is able to take very little input from the audience member and suddenly great a whole new persona and voice for them while having brilliant comedic call backs. Is pure genius, the quick whit of Nina while doing at some points over seven people voices on stage at one time. Due to the unscripted nature you could watch this show every night and every night would be as hilarious as the last. Absolutely amazing and Nina has to be seen live as a result 5 out of 5 stars.
Club NVRLND

Playing at venue 322 (Checkpoint at Assembly checkpoint) with a start time of 21:15 with a running time of 1 hour 30 minute. This show is the first dud of the fringe, there has to be at least one otherwise it is not a successfully fringe. The show is roughly based on Peter Pan with Neverland as a nightclub. This show is where I really wished I read the fringe show site a little more detailed. It was an “immersive” experience in the fact that you were in an actual club with the actors moving around you. With a mid 2000s nightclub/rave environment. The performers blasted out nostalgic classic in which the audience joined in. If you like or liked clubbing and have a group of friends all brought up in the late 90s early 2000s this would be a 5 out of 5 star show. However for me who can count on one hand the amount of nightclubs I have been to did not enjoy this one bit and as a result 0 out of 5 starts.
Adam Riches and John Kearns are Ball and Boe

Playing at Venue 33 (Grand at Pleasance courtyard) with a start time of 23:00 and a running time of 1 hour. This show could not be the polar opposite of the previous show and was glad I left the previous show 15 minutes earlier. The very late start time seemed very strange even for the fringe due to the target audience, it did result in the youngest Ball and Boe related audience I have ever seen. With people actually younger than me for once. I can only assume the odd billing timing is due to the fact that this was the first of only three nights this show is playing at the fringe. This show had played in London which I missed but aware that the real Ball and Boe attended and approved of it. I have to state that I am a huge Ball and Boe fan having seen their concerts many times including multiple times at the O2 as well as their Les Mis appearances. The show was brilliant again crying with laughter at the caricatures versions of Ball and Boe. They took the obvious differences and traits of both Micheal Ball and Alfie Boe and had them down to a tee. Ball was the “darlings” theatrical persona while Alfie was the straight serious tenor. The few songs actually song mainly “The greatest show” where performed very well with amazing voices. But the script and physicality of the charters where hilarious and the more of a Ball and Boe fan you are the funnier it becomes. Overall the show was 4.5 out of 5 stars.
That brings to an end of day 2 and my first full day at the fringe this year. I totally forgot how insignificant the time of day becomes at the fringe. You never have any context if it is afternoon or evening. Day 2 ends with me back in my Balmoral hotel room at around 00:30. It’s been around a 16 hour day with a modest 10.5K step count




